after years of being vaguely confused when I came across the measurement “a stick of butter” in recipes, today I learned that in the United States they sell butter in these skinny stick things:
it is literally a stick of butter. A STICK OF BUTTER.
i have literally never seen butter sold this way. each stick one only amounts to ½ a cup of butter AMERICANS PLEASE UNDERSTAND THAT MY WHOLE LIFE WHEN I SAW THE PHRASE “A STICK OF BUTTER” IN RECIPES I WAS IMAGINING THIS:
THIS IS THE ONLY “STICK” I’D EVER SEEN BUTTER SOLD IN. I THOUGHT Y’ALL WERE THROWING FUCKIN’ POUNDS UPON POUNDS OF BUTTER INTO THINGS HOLY JESUS THE WORLD MAKES SO MUCH MORE SENSE NOW FUCKIN CHRIST.
I love little foreign confusion things like this
we’re still throwing pounds of butter in shit just using more wrappers
You know what I find interesting? How I Met Your Mother just like… disappeared from culture after the finale aired. Like sure you might still hear the odd, “Challenge accepted” or use that gif of Marshall hugging the pillow as a reaction image, but no one really uses the phrases in vernacular, no one talks about the episodes.
And I think it has to do with the fact that the finale betrayed fans badly.
Take Friends for instance. It still is a lasting cultural thing. I think we can all agree now in hindsight, that Ross is an absolute douchecanoe, but at the time, the majority of fans wanted Ross and Rachel to get together because it had been this thing that the show had told us through cues was MEANT to be.
In HIMYM, the entire show was predicated on MEETING the Mother, and we had ruled out that Robin wasn’t the Mother. More than that, they had shown us that Barney and Robin were actually perfect for each other. They had spent episodes and seasons redeeming Barney, and softening Robin and showing us why they were meant to be. And to see BOTH of those relationships forced apart for a series finale that they had written all the way back in season 1 that didn’t make any sense for the story they eventually told, was damning for the show’s legacy in culture.
I firmly believe that writers should be able to write the story they want, and if you want to listen to constructive criticism or do a little fan service along the way then great, but when you get to the finale? That right there is 100% for the fans. The finale is when you let go of the story completely. The finale is a love letter to the people who made your show continue for as long as it did. Good finales are why shows survive.
When you’re writing a work-in-progress, sometimes you have to abandon your original plan. Let that be a lesson.
This.
But, also, they actually succeeded with the Mother. I thought that ‘The Mother’ would never be able up to the hype and mythologizing Ted did, but y’know what?
Tracy McConnell lived up to the hype and more, and had amazing chemistry with Ted. And instead of writing towards the characters and the amazing performance on screen the showrunners force an ending they planned from almost a decade before.
HIMYM is also very much a lesson of listening to the characters and, if you’re writing for actors, to the truth of the chemistry that’s in front of them.
Another crucial lesson? Endings are important because if you botch that up, everything you did before that will just disappear into the ether of annoyance and anger.
I think the worst thing was they made us fall in love with Tracy and went ‘welp, she dies at the end’ which to me canceled out her value as a fleshed out character – which is an amazing feat in of itself with the number of episodes she was in – and turned her into this plot device that was brought into existence to give ted the kids he wanted so he can end up with ‘the love of his life’, Robin who never wanted kids.
Obscure Fandoms 